Pigment on Cotton, A3
Edition of 33, signed, numbered
04 Relic
One lemon, used three times: the peel zested for a recipe, both halves juiced, and the spent halves used to scrub a calcified sink. After that, dried at 40°C until the flesh turned tacky. The gold is loose leaf, 23.75 carat, applied without any adhesive, since the dried juice itself holds it in place. It sits where the fruit worked and nowhere else. Photographed within minutes, then fruit and gold went in the bin.
Pigment on Cotton, A3
Edition of 33, signed, numbered
03 Waterproof
One sheet of paper towel, taken off the roll and embossed. The sheet was then impregnated until it stopped doing its job. Water poured onto it stands in a pool, beads at the edges, and runs off the sides. It absorbs nothing. Photographed with the water still standing, then binned, the rest of the roll kept in service.
Pigment on Cotton, A3
Edition of 33, signed, numbered
02 One Way
One single-use deposit bottle, emptied and carried around for a while. It was stepped on in a meadow, thrown against granite, and dragged across tarmac until the label gave in. The dents are real, the biography is not: a tournament sticker, blank where the name should be, was designed, printed, and applied by hand. Photographed as found objects are photographed, then returned for deposit. 25 cents.
